Showing posts with label chiptune. Show all posts
Showing posts with label chiptune. Show all posts

Sunday, 25 November 2012

New Chibi-Tech single 「Moe Moe Kyunstep」 and live video


We are way past being fashionably late to the party, but this is one riot that won't stop anyway! On October 25 2012, legendary chiptune composer Chibi-Tech released the single 「Moe Moe Kyunstep」, a two-part epic which features fascinating backstory in lieu of lyrics. It is available in a pay-what-you-want format on bandcamp, which includes "free" if you're so inclined. The fantastic cover art you see above was created by none other than mandichan!

As if that wasn't amazing enough, those of us who missed Chibi-Tech's live Tokyo performance on October 21st 2012 can just watch it online! This insane set features all of chibi's latest hits, visuals by NO CARRIER, plenty of stagedives, sweet boobies, more mandichan art and a dancing maid who pens Persona theme songs for a living. Pure insanity!



If you haven't kept up with Chibi's latest activities, this blog entry will get you up to speed. I still think her 朝からずっしり♥ミルクポット tracks are out-of-this-world awesome (having hilarious titles such as Gaze at my Sour Cream Burrito is a bonus). And if you're just at the starting point, might we gracefully recommend our 2008 interview for reference?

Thursday, 19 May 2011

Blip Festival returns to NYC for fifth anniversary event


Strangely enough, there was no 2010 edition of North America's premiere chiptune event, the Blip Festival. Instead, Tokyo and Scandinavia played hosts to Nullsleep, Bit Shifter and friends; as well as tons of invited artists, both local and foreign. This year, curators 8bitpeoples didn't want to skip NYC again and they sure didn't want to wait until December either. In fact, the 2011 NYC edition starts tonight, May 19th.

Can't attend? WMFU's got you covered with a full live webcast. Nowhere near being there in person but it's possibly the next best thing. Actually their Accu-Playlist promises to be updated with photos and have a realtime comments board. They will also have guest DJ XC3N hosting and playing his music between artists so it could be a great alternative experience.

In related news, there's a nice flashback article with Rainbowdragoneyes reminiscing about his 2009 set. Also if you're planning on visiting Tokyo later this year, Blip Festival will once again hold an event on October 22 and 23 2011. Full details about the 2011 NYC edition follow:

// HERE IT COMES
No stopping it now — BLIP FESTIVAL NEW YORK 2011 touches ground this THURSDAY, kicking off three nights of pulse-pounding chipmusic and dazzling motion graphics served up by 30 of the world's most talented representatives of the global chipmusic underground.

// TWO NEWLY-ANNOUNCED DAYTIME PROGRAMS
In addition to the Blip 2011 NESDEV workshop, we're pleased to announce two new programs: Dissonance and Consonance: Harmonic Analysis and Discussion of Chip Music and its Many Forms (presented by Joey Mariano a.k.a. Animal Style), and Atari 2600 Music Composition (presented by cTrix). For full details and ticket links, visit:

// THE BLIP FESTIVAL GALLERY
Taking Blip Festival’s spirit of "obsolescence as the beginning" into the realm of visual art, a nightly screening will be presented by artists who are bringing new life to the technology and aesthetics of our recent past. Curated by Lindsay Howard; includes work and premieres by Sterling Crispin, Alexandra Gorczynski and Nicolas Sassoon.

// OFFICIAL AFTERPARTIES + CLOSING PARTY
If 24 sets of live chipmusic aren't enough for you, three nightly afterparties (courtesy of our friends Babycastles) and a not-to-be-missed closing party (courtesy of our friends Cheese'N'Beer and Noise Channel) round out the official Blip Festival event program. For specifics, visit:

// FESTIVAL PASSES SOLD OUT
Admission is still available for individual nights, whether via advance tickets or at the door. But be advised that Blip Festival events have been known to hit capacity in the past, so delay at your own risk.

// CAN'T BE THERE IN PERSON?
We're happy once again to be partnering with WFMU, who will be webcasting the event's audio live via WFMU.org. Nothing's quite like hearing chipmusic live, loud & in person, but if you can't make it, WFMU's got you covered.

// WANT TO HELP?
If you're interested in being part of our volunteer staff, we'd love to have you — let us know at contact@blipfestival.org.

Sunday, 13 March 2011

New Rainbowdragoneyes album 「The Primordial Booze」


When we did our interview with Eric W. Brown, the Evil Southern Mastermind behind Rainbowdragoneyes and Magic Hammer, he dropped some hints about his future projects. Notably, he was working on a concept album for Rainbowdragoneyes set to be released in late 2010. An extra four months were spent tweaking and fine-tuning the album to perfection but as promised, Eric has finally unleashed his malevolent creation unto the world... introducing 「The Primordial Booze」(5$ or free download)

Before we even get to the music, the fittingly gruesome artwork by Victor Furious deserves a mention. On it, Lord Brown enjoys his Primordial Booze concoction while throning over the shredded corpses of his enemies, with a furious orgy of flames whirling in the background. Now, despite being produced almost entirely with tools based on the 8 and 16 bits era of video gaming, there is a very strong three-dimensional quality to 「The Primordial Booze」which can be broken into: chipmusic, vocals, lyrics. These features can be appreciated (or despised) individually; which is to say if the lyrics turn you off, then you can always turn to the other components.

Why would one not enjoy the lyrics? There is some real sick shit at hand, so unless you are an open-minded individual with a great sense of humour, you should stick to Justin Bieber et al. Obviously "Rape Castle" pushes the boundaries, but it reminds me of the controversy around Penny-Arcade's dickwolves comic. You either get it... or you don't. "The Replicator" is equally eye-opening, with its line about cloning somebody and "make you watch while I stab you in the crotch". "Fortune's Dividend" and "Creatures Ov Deception" also contain some shocking lines, but fans of Adventure Metal should feel right at home with these texts.

We asked Eric where he draws his hateful inspiration from: "Once I have a good concept to write about, the lyrics usually come relatively easy -- then I just try to make them fit with catchy rhymes. It's easy to write angry shit because I just think about how just about everything I lay eyes or ears on in this world disgusts and infuriates me". As for how he approaches his verses: "I like to sing from first-person perspective even though the song might not be about me, per se, I'm just the storyteller. And I've never been one for subtleties, why beat around the bush when you can just cut to the chase?"

Even if you aren't well-versed in chiptune methodology and elaborate song-crafting, you'd have to be dense not to recognize the amount of personal dedication that was poured into this album. Furthermore, 「The Primordial Booze」 was almost entirely produced with the aid of Little Sound DJ, a homebrew Gameboy application highly popular in the chiptune scene. Says Eric: "The album is about 90% LSDJ- I record all four channels separate, add a few vectors if I feel they are needed (drums, choir, FX, percussion, more FM synth), record vocals and mix. I do everything within Logic Pro."



Despite the daunting image projected by the album cover, guttural growls and twisted lyrics, Rainbowdragoneyes has intense nerd cred. If you're curious about why the bass is so heavy in "The Primordial Booze", wonder no more: "The chip used on that one is a Yamaha YM2164, very similar to the Genesis chip (primary difference is it has MIDI instead of PCM), and the drum samples I use were actually ripped from Sonic The Hedgehog games, for that smooth, cool Genesis feel." Furthermore, the album features guest chip-solos by IAYD, Bit Shifter and Derris-Kharlan.

In order to fully comprehend RDE, you must listen to these new songs with a high-quality pair of headphones. Countless minuscule touches were cunningly and carefully applied in each track, but they won't come up and slap you in the face. You have to hunt them down like easter eggs, which enhances the listening experience for those of us who can appreciate attention to detail. Although 8bitpeoples did a great job with the free MP3s, it is recommended that you purchase the high-quality original tracks to get the full experience. A pressed CD will be available within the coming weeks.

In related news: MAGIC HAMMER will release a new EP this summer. Rainbowdragoneyes is set to appear at South By Southwest on March 18th. "Heavy Weather: Storm ov the Undead" will soon appear on Rock Band Network. It will use the new keyboard and vocal harmony features of Rock Band 3 and is said to be ten times harder than "Creatures Ov Deception"!

Monday, 24 May 2010

Eric W. Brown: The unholy trinity of chiptune, eurobeat and metal


Whoever says Nashville is all about Country Music obviously never heard any of Eric W. Brown's numerous projects. I started following his musical career back in 2008 when I first heard his debut song "Eur Hawt", an unlikely but oh-so-memorable mixture of chiptune and eurobeat. I got in touch with him for some Little Sound DJ lessons, and the rest is history. 2 years later, he has evolved into two distinct musical entities which I am convinced each and every Denpa no Sekai reader should check out... so here's an exclusive interview with the man behind the music!



Under his chiptune persona Rainbowdragoneyes, he released his first mini-album "Super Eurobit Vol 1" in 2008. Word got around and he eventually landed a spot on the Blipfest 2009 lineup, certainly North America's largest event of its kind. This surprise appearance is a testament to the quality and originality of his songs. The entire recorded performance is freely available and video segments are floating around on Youtube. Recently, he built the truly terrifying RAPE CASTLE, a monumental edifice of sinful chiptune pleasure.



Intertwined with his 8bit path lies his other major musical creation MAGIC HAMMER, an out-of-this-world amalgam of eurobeat, power metal and many other EXTREME to the MAXXX components (read the manifesto). MH released an album in late 2009, which can be sampled (and bought!) on amazon.com and iTunes. Its release party was quite the event; an Army of Para Para Dancers was summoned from the depths of hells to captivate the crowd with mesmerizing dance patterns. So what else is coming up for Eric? Read on and find out!


Is “RAPE CASTLE” the very first piece of chiptune shock art?

Yes.

Shit I dunno, it's very likely not. I don't keep my finger on the pulse of the shock art world but I will say for what it's worth I've never heard anything like it, hence why I probably like it so much. Leave it to some smartass to email me with a detailed chronological timeline of all the rape castles dating back to the beginning of time. I'll keep you posted on that.


Last year you said that your invitation to blipfest rekindled your chip-flames and got you thinking about taking Rainbowdragoneyes to the next level. How was your performance received, is “RAPE CASTLE” an indication of things to come?

As far as I gather, I was awesome. Which rules because I had the best time I've ever had in my life, but which sucks because I'm going to have to work my ass off for the next few years to get back up to that level. Blip Festival 2009 was the first show I've ever played not behind a drumset, which was why I was hesitant to accept the invitation in the first place. But, they didn't ask, so I didn't say anything and instead just went with it. Then somehow, with very little effort and with help from the mighty Victor Furious, an image was carved for Rainbowdragoneyes, a then-retired name with which I wasn't even planning on moving forward, which somehow got everyone really excited for it, which sent my ego through the roof which made me decide to push on into the future and keep it going, because that shit was just too fucking sweet. RAPE CASTLE is most certainly where RDE belongs, everything about that track is what I want more of from myself.


One of your first tracks is "eur hawt", which just blew me away when I first heard it on Micromusic. How would you describe your progress as a chiptune composer since then?

Well for one thing, I actually know how to write songs now. At the time of doing that one and the rest of the EP I was figuring out the program at the same time I was trying to grasp basic pop song structure, I've never really "written" anything before that in my life. I recorded a completely improvised deathmetal/grind album when I was 19, but that's it. So not only is "eur hawt" my first chiptune, it's the first song I've ever written.


In October 2008, Calmdownkidder Records released your first mini-album “Super Eurobit Vol. 1”, which includes 6 intense tracks. The next question is obvious: are you working on a second volume and if so, what can you tell us about it?

Not a second volume, but definitely a new release. I want to do a full album, probably a concept album, but that'll have to wait. I really want to get something out before the end of the year so it'll likely be just another 5 or 6 songs. But I've been writing really really slow lately, and wanting to include lyrics on every song, so someone should really come over and crack the whip on my face.


Rainbowdragoneyes is your chiptune persona, while MAGIC HAMMER is your… how the hell do you describe MAGIC HAMMER? “Intense as fuck” isn’t really a genre.

EXTREME. Rainbowdragoneyes and the Hammer have actually become two different personalities, and I like to keep them separate from each other. Basically even though in the end it's all catchy and danceable party music, an idiom I can't seem to stray away from, the idea is for each project to explore its own worlds of writing, production styles and live performance. Let's say if Magic Hammer's favorite metal band was Rhapsody Of Fire, RDE's favorite metal band would be The Berzerker. But they each love Children of Bodom and Manowar.


MAGIC HAMMER released its first album “MOST EXTREME ULTIMATE THUNDER” in late 2009 to some glowing reviews. Since MH is more like a band, are you looking to hit the road this summer?

There's a shitload of people on that album, but there is no specific lineup for the "band" of Magic Hammer. It's still and always will be 100% my vision, and in the studio it's just me behind the helm. But yes, the live show must always consist of no less than 2 guitar players, at least one of which must be a shred master. And yes the Hammer will absolutely be on the move at some point, but I've been extremely patient in making sure all the pieces are in place before embarking on any epic voyages, and just taking things one step at a time.


You write MH lyrics and sing them most of the time, but not “Blooddrunk” which features high-pitched hair metal vocals from hell. Who sings that one and how did this collaboration come about?

Man that is this rockin dude named Jonny Aune from North Carolina who sings for the bands Viper and Twisted Tower Dire. I was searching far and wide for a badass power metal singer to spit hot fire all over that track, and he came highly recommended from my old bandmates Destroy Destroy Destroy who toured through his area and partied with him and his band for a few days. They described him as a living, breathing Metal cartoon character, who only wears leather and only rides motorcycles, who only listens to metal but hasn't heard of any band that formed after the year 1989. Sadly, tragically, I was not a part of DDD during that tour, but was more than happy (and honestly a little surprised) when Jonny returned my email saying he was into the idea of doing the song. So I sent him the demo and the lyrics, he recorded his vocals and sent me the tracks, instant boner. Someday I will meet him, and we will party.


A heavy Euro Beat influence is present in both Rainbowdragoneyes and MAGIC HAMMER compositions, which is uncommon these days to say the least. Where does this influence come from and do you expect yourself to expand on this concept in the future?

I took a trip to Japan several years back, where I heard eurobeat for the first time. Needless to say I have never heard anything like it before, and I was just as floored as I was when I saw Cannibal Corpse and Hate Eternal for the first time. It was insanely catchy and addictive, and all I could think about was trying to create something just as awesome. I delved further into the genre, became obsessed, and drove my bandmates crazy in the van listening to the same six or however many albums I had at the time on repeat.

You can sort of hear the progression on Most Extreme Ultimate Thunder, as I ordered the tracks for the most part in the order they were written, from 2007 - 2009. "Dance On Fire" was the first song written of all of those, and an older version was released on a compilation thrown together by eurobeat producer Laurent Newfield under his Akyrmusic record label. But I still wanted it for the Magic Hammer album, so I took the vocal track and re-produced the song from scratch. "The Master ov Time" is where I really stepped outside the standard eurobeat song formula box, and sort of had one foot in that box and another foot in a folk metal box, while my arms flailed about in the "I just realized can do whatever I want" box. Eurobeat taught me the perfect song structure so I doubt I will ever completely desert it, but I am looking forward to seeing how far I can take it. EXTREME.


As well as being the mastermind behind MAGIC HAMMER and a highly creative chiptune composer, you seem to be a skilled drummer if this video is any indication. What are some of the bands you play(ed) for?

Right now, I am playing for a few fine folks. Stuck Lucky is a really awesome bunch of dudes that used to be a ska band, but their sound has totally evolved over the last 7-8 years of existing to something more thrash with a trombone. I joined the ranks a year and a half or so ago as a fill-in but ended up sticking with it and doing whatever I could whenever I was available, including recording on the last full-length and 7" releases. They play and tour a lot, good shit, really fun music, and always put on a great show.

Inferi is the brutal brutal baby of myself and guitarist Malcolm Pugh. We placed ourselves on hiatus a couple years ago, after some incredibly draining album recording sessions and floppy tours and a maelstrom of label drama became too much to handle. All of us still very good friends, after all the bullshit we dealt with the decision was made to each pursue our individual interests for the time being. Which couldn't have proven to be a better idea, as my Magic Hammer and Malcolm's A Loathing Requiem was realized and born. I co-produced the ALR album, and I dread the day that I have to start learning the drum parts to take it to the inevitable stage. You heard it here first, there is also talks of an Inferi reunion and some new recordings on the horizon, whenever our schedules sync up long enough to make it possible.

Nite Nite is I guess post-punk? Though I'm not sure what that means. Either way, they are some good-lookin ladies (and dude) with some really catchy happy/dark/80s-savvy new-wave-y tunes. I hesitate to say "gothic" but it's an aesthetic that works well for them.

There is also Vale of Pnath from Denver, whenever they get it together and start touring again. Their music is brutal technical death metal played correctly and very very fast. They are currently working on a full-length to follow up their EP, and whenever that gets done I'm gonna fly back out there and we're all gonna hit the road together and be one big happy family.

And just recently I've found myself back amongst the ranks of my old band and friends Destroy Destroy Destroy who plays the most epic and True of thrash and orchestral fantasy metal. Recently I did my first show back with them in 3 or so years, and depending on what their tour itinerary looks like coming up I'll likely be doing more. Siqqq liffffeeeee brooooooooo.



Your Basset hound Navi prominently appears on many of your promotional pictures and videos. She looks badass but also like a bit of a troublemaker, what can you tell us about her?

Only that she is the greatest creature, biped or quadruped, to ever live. Always down to party and make new friends, she loves everyone and everything, but is also perfectly content to sleep for 82+ hours a day, which works well with my lifestyle of shutting myself away and working on music night after night. She's the biggest chick magnet I've ever known, has allowed me to start many a conversation with many a lady, and is brilliant at making them bend over to pet her so I can look down their shirts.


You put up a couple of highly entertaining Youtube videos, notably your entry for A1’s “Sing for your beef” contest and a ridiculously catchy remix of “Jesus is my friend”. They’re really funny, so why exactly aren’t you doing more of these?

Well for one thing, if the final entries for that stupid contest tell you anything, a sauce made from period blood cannot be expected to know how to party. I'm not a video guy and working with iMovie is a real pain but I've no plans to not make more videos whenever the need arises or lols need to be had and I get some real shit out of the way first.


In closing, what are some of your short-term goals and long-term ambitions? Thanks a lot for doing this!

You got it sister. As far as short-term goes, I suppose I should prioritize not being homeless and rebuilding my studio. The flood here in Nashville recently hit me pretty hard (hail Leviathan), so if you can picture a single-level house with 8' ceilings, and then picture the same house with 6 feet of disgusting doodoo water in it (hail Hydra), you can imagine what I'm having to deal with. I was out of town at the time playing a show, so I had my drums and my laptop with me, my van was parked 30 minutes away and Navi was staying with a friend. So all the core items are fine, but I lost everything else I own. I've since gutted the place and threw what I hope to salvage in storage (hard drives, console, keyboards, various other electronics and crap) so over the next couple weeks I'll be figuring out where to live and seeing what I can make work again. Party.

My long-term goals have never changed, party full-time, all the time. Between Rainbowdragoneyes, Magic Hammer, six million bands, studio and production work, remixing, singing, booking and promoting shows, there is a lot of touring to do, sluts to be bang'd, and much of the world to be seen and explosioned. I'm going to explosion everything as fuck. That shit is a full time job.

Sunday, 31 January 2010

Upcoming MOSAIC.WAV concert is a 初音ミク Who's Who

MOSAIC.WAV just sent a communiqué revealing which special guests will perform at their upcoming concert 【We Live Heartsnative!!~ミクとMOSAIC.WAVと仲間たち~】 on February 20th 2010. Of course, mi~ko and kayapi will be flanked by expert Hatsune Miku manipulator 大串友紀 and their usual live band which consists of Big Brother 小池雅也 on guitar, クマキヒロノブ on bass and cat enthusiast 岩田ガンタ康彦 on drums.




The first guest performer to appear on stage will be cosMo@暴走P, otherwise known as one half of cosMoDRIVER. At the risk of rehashing what is probably common knowledge, his most popular composition so far would be the frivolous "Disappearance of Hatsune Miku". However, one would be remiss not to pay some heed to his earlier creations such as the balls-to-the-wall初音ミクの暴走」, one of his first songs but certainly not the least. Another fan favourite would be 「電脳スキル」, which got a chiptune remix from K-> of VORC Records fame. What's more, cosMo has begun contributing tracks to the EXIT TRANCE powerhouse since March 2009, most recently on the Vocalolegend album released on January 21 2010. So he certainly has a great source of audio material ready for his first major concert, but like any good Japanese artist, the guy also possesses some intense illustration skills.



Second on stage will be デッドボール (Deadball), which operates under the 5/4 TAKEPOD circle. Now they've only been releasing Hatsune Miku songs since early 2008, but we're talking an impressive 30+ creations in about two year's time! There's a very interesting reason behind this otherwise unexplainable surge of creativity: circle head honcho 槇タケポン worked at Nihon Falcom for two years between 2005 and 2007! Falcom are known for some of the best videogame soundtracks out there, so it's only reasonable to think that the experience he gained there helped him develop such a productive drive.



Deadball's flagship series is their Dead Ball Project compilation albums, of which there are three volumes. (1, 2, 3) After publicly releasing his first Miku song in March 2008, Takepon was approached by EXIT TUNES and this led to his first major album, which is still one of the highest ranking EXIT products on Oricon. The album also came with its very own (ridiculously hard) SHMUP game! He was also involved in SEGA's Hatsune Miku arcade/PSP game and managed to sneak a few chiptunes on the fabulous ピコ萌え! series. Even more recently, Deadball collaborated with IOSYS (who hasn't? MOSAIC.WAV, that's who) in the form of an 8bit-flavoured track on 2-dimension's latest vocal album, 「parade」, sung by MIKO. Certainly a rising star to keep your eyes on!

Famitsu is once again heavily promoting the upcoming concert, as they should. There's no word yet on whether or not they'll be freely broadcasting the event online as they did the first one, especially since this one is substantially premium-priced at 6000円. But perhaps they'll make a sneak announcement at the last minute, so keep checking back for further details.

** first picture taken from Dengeki Moeoh

Wednesday, 9 December 2009

Blip Festival 2009 reminder, full schedule


Friendly reminder for you folks: the final countdown to BlipFest 2009 is on, with mere days to go until 32 artists from around the globe hit the Bell House stage in Brooklyn on Dec 17-19 2009. Of course we have the fantastic regs such as Nullsleep, Bit Shifter and Bubblyfish, but I'd highly recommend newcomers Rainbowdragoneyes (a.k.a Eric, who gave me my first LittleSound DJ lessons a couple years ago) and The Hunters (a trippy trio straight out of Tokyo, highly active in the LoBit Playground scene). Here is the complete schedule:

// 12 17 • THURSDAY /////////////////////
8:00 pm · Silent Requiem · Jean Y. Kim
8:40 pm · failotron · Paris
9:20 pm · Leeni · VBLANK
10:00 pm · minusbaby · Enso
10:40 pm · Chromix · The C-Men
11:20 pm · Je Deviens DJ en 3 Jours · NO CARRIER
12:00 md · Albino Ghost Monkey · outpt
12:40 am · Eat Rabbit · Rosa Menkman

// 12 18 • FRIDAY ///////////////////////
1:00 pm · screening: _Reformat The Planet_
2:00 pm · workshop: SID chip synthesis workshop with VBLANK
--
8:00 pm · Disasterpeace · Enso
8:40 pm · Starscream · Jean Y. Kim
9:20 pm · Fighter X · outpt
10:00 pm · little-scale · Rosa Menkman
10:40 pm · I, Cactus · VBLANK
11:20 pm · Nullsleep · Rosa Menkman & Paris
12:00 md · Rainbowdragoneyes · The C-Men
12:40 am · Patric C · NO CARRIER

// 12 19 • SATURDAY /////////////////////
2:00 pm · screening: _Reformat The Planet 1.5_ + selected videos
2:00 pm · presentation: Classic Sound Chips to Virtual Instruments
3:00 pm · workshop: Open Source Solutions for Live Visuals
--
8:00 pm · The J. Arthur Keenes Band · Rosa Menkman & Enso
8:40 pm · tRasH cAn maN · Jean Y. Kim & Paris
9:20 pm · Bubblyfish · NO CARRIER & outpt
10:00 pm · The Hunters (music & visuals)
10:40 pm · glomag · The C-Men & VBLANK
11:20 pm · Bit Shifter · outpt & Enso
12:00 md · David Sugar · NO CARRIER & VBLANK
12:40 am · Psilodump · Paris & The C-Men

For full details, descriptions, & admission information, visit:
http://blipfestival.org/2009/schedule

I would love to attend the Open Source Visuals workshop, but I've decided to spend my vacation over in Death Valley this year. Yeah, no, for real. Oh that reminds me, I have some short videos of Sulumi and Bubblyfish from the 2008 event. Sulumi was by far the highlight of the event as far as I'm concerned, what a crazy guy!!!

Sunday, 29 November 2009

Hey Jack! Don't forget about COSMODRIVER's new album



October 2009 saw the release of the first full length album from コスモドライバー (cosMoDRIVER), a brand new chip-pop duo featuring two highly active niconico artists. HIGEDRIVER was briefly mentioned late last year when he composed a song on Saori@destiny's first album, as well as contributed tracks to the superb Picomoe compilation series. It's hard not to like the dude with such great chiptune skills and his iconic image borrowed from Super Mario Bros. He has quite a number of songs up for download, but one of my favourites is this year's ukigumo. He's teamed up with cosMo, a similar artist, albeit one mostly known for his expertise with all things Hatsune Miku. He is behind the reaaaaaally fast (and kinda sad) "Disappearance of Hatsune Miku" among other things.

But those of you allergic to the virtual diva will be pleased to know that their first album 「コスモドライバー∞UP」 only barely features her voice (about four seconds, to be precise). It's mostly these two guys singing along with some sampling (moemoemoe...). Without getting into details, the album's a great mix of pop/rock/chiptune and even some pretty intense prog-rock à la Yes. Close To The Edge, chiptune style? I think my dad would enjoy that. And let's not forget about the third player on the visual front: SasakureP took care of the jacket art and the unit's first PV as seen above. Dream teams like this only last so long, but I'm already looking forward to a second album!

Wednesday, 25 November 2009

VORC: JulieHally debut single, Saitone's 8bit Micheal Jackson tribute



Today marks the (digital) release of 「256 e.p.」, the first single from JulieHally who are a new duo backed by VORC Records. A full-length album is slated for release in early 2010. The above video demoes their second song L.E.D. Nation. You can also sample their opening track Casual at their HearJapan page, from which you can conveniently buy both songs for a measly 2.22$. So what we have here is an interesting combination of Julie's cute vocals laid on top of some carefully programmed 8bit tracks from none other than chiptune expert Hally. The songs were composed with a standard pop/rock mindset, no experimental stuff here. There's good energy and both songs are fairly memorable, which is impressive for a debut release.

But dig beneath the surface and you'll uncover some impressive hardcore experience. Hally of course is a well established Chiptune artist in Japan. He even came up with some custom Famicom equipment for his live performances. Seems the man is a total party animal too, judging by this touching male bonding story from Denmark (do I detect some bromance?). Now the other part of the equation is just as fascinating. We are indeed talking about the proud Samurai descendant Julie Watai (AKA SAMURAIGIRL) who appeared alongside DJ SHIMAMURA on last year's brutal JCore compilation 「真・凌辱HARDCORE ~エロスの饗宴~」. And yes, you're right, this is the same Julie Watai whose fantastic otaku photography book was released worldwide in 2006. So, uh... street cred? Yeah. It's everywhere.




Also from our friends @ VORC comes Saitone's two latest songs: Smooth Criminal and Thriller. Yup, these are indeed 8bit covers of some of MAIKURU JAKUSON's greatest hits. He's always enjoyed tremendous popularity in Japan, so these chiptune tributes are quite fitting. Regardless of what you think of the man, you should be able to enjoy these two songs on a purely artistic basis. It helps that Saitone, one of the founding members of VORC, is nothing short of a legend when it comes to stringing intricate series of crude beeps together. And hey, he'll even play them live.

Speaking of which, VORC record also wants you to know that on November 27th 2009, you can log on to DreamHack's Justin.tv channel for a FREE STREAM of JulieHally and Saitone performing live in Sweden. You may consult the event's schedule for more details, but JulieHally and Saitone go on at 11:30PM (11/26) and 12:30AM (11/27) respectively. That's Sweden time (CET+1) so use this handy website to convert to your own time zone (east coasters, we're talking 5:30PM here). Don't miss them!

Friday, 6 November 2009

Best Believe! Brutally Brain Blowing BUBBLE-B Blurb



Allow me to take a break from the usual hypermoedestructodenpa material this blog normally covers and introduce a pretty awesome dude (BUBBLE-B) and his pretty awesome labels (Speedking Productions/TOY LABEL). I'm only, oh... about two months late on this, but hey: Brandish 2 and all that. So a couple of awesome Speedking albums came out at M3-24, including BUBBLE-B's very own sophomore effort 「バブルBのビッグ・バン」 (big bang). This whopper of a release is actually a CD+DVD and is intended to be a follow up to his 2004 DVD 「バブルBのグッド・イヴニング」 (good evening). You can find the complete tracklisting and more info at BUBBLE-B's blog.

The intense car nerd in the above video is not BUBBLE-B himself, but his buddy Enjo-G. Together they've got half a dozen collaborations on Nicovideo, including MC'ing on this MEGASHIT commercial. While there are proper "songs" per se, a majority of BUBBLE-B's tracks consist of him remixing / freaking out to old Japanese commercials or variety shows. As you can see, there is a strong video component to all of his creations, hence the DVD. He even went as far as creating an original Hatsune Miku song, which is sure to earn him new fans as MOSAIC.WAV have recently found out. Then again, with a song title like 「ダサイタマ」, he might as well make just as many enemies. Zanshiro!




Not content with writing and releasing his own music, BUBBLE-B has also been the driving force behind Speedking Productions and TOY LABEL for quite a while (2000). He and his buddies also publish a number of compilations. The second M3-24 release, perhaps slightly more relevant to this blog's content than the first, was 「SPEEDKING PRESENTS 8bit RAVE」. As its title indicates, it offers a seriously dope assortment of chiptune and J-Core from an interesting variety of artists. The tracklisting reveals contributions from some currently "unknown" artists (including the delightfully named Eagles Become Vultures From Pile Of Dogshit) but also from veteran KPLECRAFT and Momoi-collaborators Missile Chewbacca.

The idea with this album is quite simple: combine the best of the chiptune and J-Core worlds (or J-Death as they like to call it). This results in a largely different kind of 8bit sound than what we've been getting lately; abrasive and gloomy come to mind. I sincerely hope this is the first of many in what could be a lucrative series for Speedking. If you're hungry for more of their unique J-Death techno, check out samples from their first and second compilation albums. Solid soundtracks for a solid gym session, I'll tell you that much.

Monday, 19 October 2009

When chiptune meets old-school hardcore punk

Chiptune and Hardcore Punk both originated in the late 70s, early 80s, so how the hell have we gone on for so long without putting 2 and 2 together? Sure, you could argue that they clashed a few times in the past. Regardless, a bunch of really cool doods are going to do just that this weekend as both The Misfits and Minor Threat (presumably others) will see their classic songs remixed with 8-bit elements. It would seem that Bit Shifter also covered The Misfits a few times in the past, gotta love this guy (feel terrible for missing him playing my backyard sometime ago). Anyway, if you're in NYC this weekend, attending this gig should be a no-brainer. Gonna have to look into ensuring my presence at Blipfest 2009, myself. Here's the superb flyer for this weekend's event.

Sunday, 14 June 2009

VORC Records Interview (TM NETWORK chiptune tribute)


Chiptune. If you're with it, you'll praise its contemporary composers for their amazing ability to increasingly knock out dazzling originals or faithful recreations with a new twist. But if you don't get it, you'll be quick to dismiss the genre as a bunch of eighties-obsessed geeks freaking out over crude beeps. Honestly this description suits me just fine, as I'll readily admit to being an old-school video game nerd anyday. But unless you're a stinking hypocrite, you just have to applaud the efforts of recently-launched VORC Records, who are working so damn hard to bring chitpune to the next level, with international collaboration albums and a major push for the budding genre to hop onto mainstream distribution channels, certainly to the joy of all artists involved.

Assuredly, this last point holds true in the case of this interview and the many other international articles spawned off from the release of their latest album, "8-BIT PROPHET - TM Network Tribute Generated by Chiptune + Vocaloid". Unlike the majority of Japanese artists and labels, VORC Records are stepping out of their insular boundaries and aggressively reaching out to the whole world, making sure no one misses out on any of their latest chiptune offerings. While you're reading this interview, you might want to head over to VORC Record's myspace page and let the audio player do its thing, as the label generously put up 10 samples for everyone to check out.


Let's begin with a brief overview of VORC Records, for the uninitiated. Actually, what does "VORC" stand for?

VORC Records is a pioneering independent Japanese chiptune label founded in Tokyo in 2006. It was originally started by hally, who is a chiptune artist himself, as well as the website manager of VORC. The acronym stands for "Video game OR Chiptune". But before it was a label, VORC used to be a news site dedicated to oldschool video game music and chiptunes, launched in 2001. Unfortunately, this news site has not been maintained in over 3 years, mainly due to a system problem, but it doesn't help that Hally is very busy with the label and his own artistic activities. You may access the English archives to get a better idea of VORC's long-standing involvement with chiptune and videogame music.


What are some of VORC's long-term objectives?

We really hope that chiptune will occupy a greater part of this music jungle in the near future. We want a lot of people to know about chiptune, to spread this original sound as much as we can. That's why we released various remix compilations in the past and want to put out more original albums in the future if our most recent release turns out to be a success. Saitone's first original album "Overlapping Spiral" and his 3D dome theater live as well as the SILENT LIVE 2008 are also some of our proudest achievements to date.


Can someone really make a living running a chiptune label in this day and age?

I think it's more and more a possibility. In fact, we released the TM NETWORK tribute album through the POSCA personal distribution system. It can be used to distribute a CD or DVD internationally, with very little work required from a label's perspective. Anyone can use this system. Furthermore, we are going to sell our MP3s through HearJapan. Again, anyone can use this service (though it focuses on Japanese artists obviously) and its circumstances are much less restrictive than Apple's iTunes. Thanks to these distribution services, we can concentrate on promoting our releases on the Internet and other media.




Now let's focus on your recently-released album "8-BIT PROPHET". Please explain how this TM Network chiptune tribute concept came to be.

We realized that TM NETWORK represents a major source of influence for this generation of musicians and listeners. One day at a club, my DJ friend played a TM NETWORK song between two techno tracks, it drove the crowd nuts! Hally and I discussed the possibility and we eventually agreed on a course of action. K-> took a leading part on this album because he just swears by TM NETWORK. Specifically, he contributed the album's title, its track list and produced 6 of the 11 tracks.


I imagine you had to obtain permission from TM NETWORK before putting this show on the road?

Yes you are absolutely right, this album would not have been a possibility without TM NETWORK's consent. We are a corporation after all, not just a fun part-time hobby. You can find the names of members, crew and publisher of TM NETWORK on the album credits, as well as Yamaha's Vocaloid copyright information.


Speaking of which, why was Hatsune Miku selected as a vocal engine?

We thought that Hatsune Miku's impersonal voice would be a perfect fit for the 8-bit sonority. Furthermore, K-> and Kyonomoti are what you'd call vocaloid specialists, so it all just fell in place, a no-brainer if you will.


Did you ever consider using real voices on these tribute tracks? Saitone's "Get Wild" cover does not use the Vocaloid.

Well actually, yes, we considered this possibility! However we concluded that it would be too difficult to find the perfect replacement to Takashi Utsunomiya's unique voice, not to mention someone who could complement our 8-bit style. Saitone's "Get Wild" cover is based on the "I LOVE TM NETWORK" cover album, which came out on AsianDynasty Records earlier this year. The vocalist's name is Reco. She is one of those few people whose voice can suit both a TM NETWORK song and 8-Bit style at the same time. It was Saitone's idea to remix this particular track.

Thanks goes out to Tsutomou Outani for this interview.

Monday, 25 May 2009

Chibi-tech does Contra ReBirth; 電波の世界 writes about it


It's been far, far too long since we last reported on Supreme Maid Warrior Chibi-Tech and his fearless endeavors to make this world a chiptune-ier place. You'll recall his tell-all interview that was published last year, which still gets this blog tons of hits each and every day, to the tune of pairs... no, half-dozens!! Oh right, it's been up there as a featured link for the past eight months. Mental note: get off my ass and create new featured articles icons.

That said, yours truly has kept touch with The Man, The Legend since then, but save for a New York City concert which I should have reported on by all means, I was bound in blood not to reveal the nature of his most recent projects. Flash forward to May 12th 2009, when Konami of Japan stunned the unsuspecting masses with the release of Contra ReBirth for the WiiWare. I was sorta "in the know" about this little project, because Chibi had previously told me his new employer was none other than... *drumrolls* M2 of Japan. And... it so happens that Mr. Tech himself is listed in the staff credits right alongside the legendary SAKIMOTO Hitoshi, who made such musical masterpieces as Radiant Silvergun, Gradius V, Final Fantasy Tactics et j'en passe!

The cat's out of the bag, so we can freely discuss this topic now. Chibi's involvement in the game was actually limited to the "voice unit" section, since he started working there just as the game was in the final stages of production. Nevertheless, rumors are that the next in the "ReBirth" line of Konami remixed games is none other than Salamander ReBirth. Since he previously contributed a track to the Psyvariar tribute album (which also featured Kplecraft, Blasterhead and more), then it isn't too far-fetched to believe that this is what the 8-bit wonderboy is working on as we speak. Speculation, how I love thee!

So uhhh, where's the review of the game itself? You'll have to head over to underdog game news site Siliconera, where the article was just published today. I figured a piece like this would get more exposure over there, but I'll always have this blog for in-depth Toromi features and delirious hockey/denpa comparisons. For what it's worth, an extensive Brandish: The Dark Revenant article was also written for Siliconera in mind, so check that out if you're into hardcore dungeon crawlers.



Of course, this newfound job also means one thing: MoeNES, as we know it, will probably never get released. I'll try to poke the guy (no, not in that way) about the future of the Denpa/Moe/Chiptune album that may tragically never be. In the meantime, you could always check out two "newly" released MP3s that showed up on his blog soon after his February 28th appearance at NYC's The Tank. And that beautiful 「ub1P☆ib2P」 cover art is what we call, in this artistic denpa milieu, "a mandichan". Yup, more salt in the wound. God damn it chibi-tech... you're such a tease!

Monday, 5 January 2009

New YMCK full-length album, DVD... recipe book?


And we're back! Now that Canada won Gold at the WJHC, I can continue writing about denpa and crazy Japanese music in general. Hope everyone had a decent holiday break? I mostly spent mine grinding for levels in Persona 4 and fighting a new enemy in my very own house... BED BUGS. These sneaky bastards are hard to get rid of and sure love sucking on my blood, but I think I'm starting to get the best of them.

We start 2009 with some leftover YMCK news from 2008 that I completely missed out on, somehow. It seems just like last week I wrote about their two cover albums, so I apologize for missing this one. PerfumeCity user jigenbakuda was nice enough to point me in the direction of a brand new YMCK full-length album and DVD which both come out on January 21st 2009. Hardcore fans will supersize the combo and go for the full collector's meal which includes a ... recipe book?

Yes, a recipe book, because cooking in the main theme behind the group's fourth original album. Pretty brilliant if you ask me. The official website does not state if the DVD contains live segments, but it most probably does. Here's the tracklist for the album... you'll notice all the songs have something to do with cooking:
  1. おもちゃの兵隊のマーチ
  2. カレーだよ!
  3. サラダ・シャバダバ
  4. 三ツ星シェフの歌
  5. グルメなアイツ
  6. ふわふわ卵のオムライス
  7. 帰り道、晩ご飯。
  8. ワン!ダフル・チョコレート
  9. バンバンクッキング
In related YMCK news, they will be playing many concerts around the world in the coming weeks, just take a look at the Denpa Watchlist to your right for the details. One event that deserves further discussion is the upcoming 「ファミ詣」 (famimode) event with its all-star chiptune lineup and Famicom Battle (the fuck? are they playing some Battletoads?)

POWERPLAY are going to Japan all the way from Sweden, no doubt on the invitation of YMCK who played many Swedish shows themselves. Then there's also the eclectic duo KPLECRAFT, mostly known for their multiple contributions to the Namco Idolm@ster Famison series, but also the 2006 BlipFest performance. Here's a great recent interview with kuske, who makes some very interesting comments about the state of the chiptune scene in Japan.

Thursday, 4 December 2008

Blip Festival 2008 Reminder


North America's largest chiptune event is nearly upon us! While the artist lineup has been announced over a month ago, the schedule was made final just recently. Here's a recap of the artists which will perform from December 4th to 7th.

Live musical performances from the international chipmusic underground's finest global representatives, including:
Anamanaguchi, Animal Style, Bit Shifter, Bubblyfish, Cheap Dinosaurs, Cow'p, Dubmood, Glomag, Graffiti Monsters, IAYD, Ikuma, Jellica, Lissajou, Low-Gain, M-.-n, Meneo, minusbaby, Mr. Spastic, nordloef, noteNdo, Nullsleep, Role Model, Sidabitball, Starscream, Stu, Sulumi, Syphus, Tonylight, Trash80, Unicorn Dream Attack, USK, and zabutom.

Live motion graphics from the highest-caliber low-res visualists on the planet, including:
The C-Men, Entter, NO CARRIER, noteNdo, Paris Treantafeles, and VBLANK.

Just as interestingly, there are a number of workshops being offered on Saturday, including a one hour crash course on FamiTracker, one of the most popular chiptune authoring software out there (available completely free of charge). Sunday will also see the screening of the "Reformat the Planet" DVD which was previously discussed on here. It will also be available for sale during the four-day event.

Yours truly will be in attendance on Saturday night, even though I shouldn't! I do have a JLPT exam the following Sunday, after all... It has occupied my thoughts day in, day out (or should I say sleepless nights). I'm a little bit disappointed to miss out on the workshops and USK's performance (Sunday @ 10PM) but them's the breaks.

Wednesday, 12 November 2008

「ピコ萌え!Future8bitシリーズ3」 coming out soon


How soon? November 27th 2008 to be exact, according to amazon. What we're talking about here is the third album in the "Pico Moe! Future8Bit" series of anime themes covered with the 8bit style we all crave. Obviously, publisher Pi Corporation took a huge clue from momo-i's popular Famison series and roped in a multitude of talented chiptune arrangers and seiyuu actresses in order to beat her to the third punch. Famison Vol. 3 might never happen at this rate, but this new PicoMoe series (vol. 1 & 2 came out in April and August 2008 respectively) is a more than capable contender, given some of the big names they gathered and extremely positive reviews across the board.

Unlike momo-i's two offerings, Future8bit does not exclusively concentrate on anime themes from 20-30 years ago, but rather a sizable mix of old and new, starting from 40-year old 魔法使いサリー (known in Canada as Mini-Fée, please tell me I'm not the only one who watched this growing up) all the way to the recent fan favorite bloody-gone-ecchi Bludgeoning Angel Dokuro-chan. Take a moment to listen to these two songs as well as more on nicovideo to realize that they aren't cheap nostalgia cash-ins but respectful and high-quality 8bit takes on timeless (or soon-to-be) classics. So who exactly is going to work on vol. 3 and what songs will be on it? Here's a handy chart. Let it be known that the Chobits theme song will be nothing short of fucking glorious.

Name / Anime / Arranger
1. 鉄腕アトム / 鉄腕アトムより / vin-PRAD
2. スイミン不足 / キテレツ大百科より / 林ゆうき
3. 未来形アイドル / VS騎士ラムネ&40炎より / テント
4. Let Me Be With You / ちょびっつより / Voltage Controlled Fascination
5. コンディション・グリーン ~緊急発進~ / 機動警察パトレイバーより / kz
6. 男と女はパピプペポ / NG騎士ラムネ&40より / デッドボールP
7. 創聖のアクエリオン / 創聖のアクエリオンより / baker
8. Welcome! / デ・ジ・キャラットより / the music laboratory cube
9. ラムのラブソング / うる星やつらより / ヒゲドライバー
10. ロ・ロ・ロ・ロシアンルーレット / ダーティーペアより / KAY
11. おっとどっこい日本晴れ / 秘密忍者隊ニャンキーより / no reason
12. 銀河で直立歩行 / 天地無用!!より / Ruchi
13. YOU GET TO BURNING / 機動戦艦ナデシコより / KOKO-MIMI
14. メンチ・哀愁のボレロ~食すのね / エクセルサーガより / undisclosed
15. 異次元ストーリー / ウイングマンより / undisclosed
16. FC版Packaged / Re:Packageより / undisclosed

Notice who's doing track #9? That's right, higedriver, same dude who's also co-producing Saori@destiny's upcoming album. Until volume 3 comes out, you can sample all tracks from Vol 1 and Vol 2. No word at this point on whether or not the DENPA group will repeat their generosity in providing the first 100 in-store purchases with a free remix CD as they have with the release of Vol 2...

Hey chibitech... you reading this? Why the heck aren't you on that lineup bro?

Saturday, 23 August 2008

American Chiptune feature documentary


愛撫 sends word of a new chiptune video documentary produced by 2 Player Productions, currently showing on Pitchfork TV. So far only chapter 1 is available, but the high quality values are striking and the objective coverage is refreshing. Note that the whole thing will be screened at Penny Arcade Expo (Aug 29-31) before coming out on DVD sometime this year. They are basically documenting the current American chiptune scene, complete with a couple of interviews, technical information and live footage. Definitely worth your time, if only to witness a bunch of awesome sweaty people having a blast freaking out to 8bit tracks wearing Cave shirts or cosplaying Tetris L-blocks.

Do you readers think I should cover more of these American chiptune artists? If I haven't made it clear by now, 8-bit music is one of my favorite genres. I'm also a big supporter of nerdcore in general, thanks to artists like YTcracker and MC++ among others. I do have one interview planned with an American composer, so please look forward to it. That said, there's a strong chance I'll be over in NYC for this year's BlipFest, as it's on the same weekend as my JLPT exam (Columbia) Those of you looking for more underground chiptune events in NYC should check out Pulsewave.