Showing posts with label KOTOKO. Show all posts
Showing posts with label KOTOKO. Show all posts

Friday, 14 May 2010

Here's your SHORT CIRCUIT III tracklist


Did I fucking call it or what?

SHORT CIRCUIT III comes out on June 25 2010, followed with a concert on July 19 at Shibuya-AX. The last two tracks are brand new, but "send off" should be getting a demo eventually, since it's the opening tune to SAGA PLANETS' latest game 「キサラギGOLD★STAR」. The last track, "interceptor" will probably get a video clip from I've Sound themselves, so look for that! There's no telling who (or what) "Larval Stage Planning" is at this point, your guess is as good as mine.

All links point to full versions!




TrackLyricsComposer     Arranger     Singer     
blossomdays 松島詩史      C.G mix C.G mixKOTOKO
らずべりーKOTOKOC.G mixC.G mixKOTOKO
Crash Course ~恋の特別レッスン~KOTOKOC.G mixC.G mixKOTOKO to 詩月カオリ
Love is money!?KOTOKO井内舞子井内舞子詩月カオリ
I need magic ~解けないマジ☆キュン♪~   KOTOKOC.G mixC.G mixKOTOKO
お*ま*ま*ご*とKOTOKOC.G mixC.G mixKOTOKO
Stars Biscuit KOTOKO 井内舞子 井内舞子 KOTOKO
Swift Love ~健全男子にモノ申す~ KOTOKO 井内舞子 井内舞子 KOTOKO
ジェットスマッシュ! KOTOKO C.G mix C.G mix 詩月カオリ
Lilies Line KOTOKO C.G mix C.G mix KOTOKO
ユメミボシ★boom!boom! KOTOKO 中沢伴行 中沢伴行
尾崎武士
KOTOKO
常識!バトラー行進曲 KOTOKO 井内舞子 井内舞子 KOTOKO
Send-off ~涙色のスタートライン~ KOTOKO 高瀬一矢 C.G mix Larval Stage Planning
☆星空 Interceptor☆ KOTOKO 高瀬一矢 高瀬一矢 KOTOKO to 詩月カオリ

Tuesday, 16 February 2010

Incoming MOSAIC.WAV announcement on MOMOI's モコモコ show?


『独占!モコモコ 60分』 is another example of MOMOI Haruko's internet omnipresence. But unlike her 2009 radio show (はいはい、ラジオラジオ), this live NicoNico video broadcast has her wearing all kinds of cute costumes and hosting a bunch of cool people, such as this pervy Gaijin Santa (aka Patrick from otaku2.com). Make sure to check out an x-mas version of her hit song "Wonder Momo-i" with the Clausmeister ヲタ芸ing it up hardcore in the back.

This week, MOSAIC.WAV will be her guests of honor, which is great news in itself. At the very least, we'll probably see an impromptu keytar duel between Kayapi and Haruko. But if this blog entry holds true, then they are set to announce a new project! Most likely, Momoi will formally announce her upcoming Remix CD, since amazon and cdjapan already have that info. But perhaps she will renew her Under17 collaboration with MOSAIC.WAV? There's a brief mention of the Animelo 2008 session on the official Akihabalove channel. Who knows? We all will... in a day's time.

By the way, there's an upcoming KOTOKO & MOMOI concert on May 3rd 2010 (in Shibuya). As good a time as any for I've Sound to launch SHORT CIRCUIT 3!

Friday, 6 March 2009

New KOTOKO eroge OP is anything but 「fickle」


Due to I've Sound's ongoing decennial celebration (which is currently drawing some less-than-enthusiastic criticism from its own fanbase), KOTOKO's latest eroge opening theme has all but slipped under everyone's radar. Composed by the oft-maligned 井内舞子 (IUCHI Maiko, who went by her alias UETSU Miyu until late 2006), 「fickle」 does not live up to its title (luckily for us!). Instead of being inconsistent, it is a fairly stable and enjoyable piece of music that does not break any new ground but instead brings us back to the better moments of the SHORT CIRCUIT series. Download it now and see for yourself.

It opens with a short guitar riff that is suspiciously similar to MELL's engrisherrific 「RED FRACTION」 and could presage another OUTER failure, but quickly moves into its own thump-heavy entity that is neither hesitant nor ostentatious. The rhythm is pulsating, the guitars create an enticing melody and of course KOTOKO delivers an engaging set of vocals that display the emotion and passion that our favorite singing starlet is usually known for. Do we have a winner yet? Well kind of like the Hurricanes taking the Stanley Cup in 2006, it's not what you'd expect, but it gets the job done.

Between denpa-rock tracks such as this one and last year's 「bumpy-Jumpy!」, (the spectacular) 「Crash Course 〜恋の特別レッスン〜」, 「Stars Biscuit」 and the previously-reviewed 「Swift Love ~健全男子に物申す~」 and 「I need magic ~解けないマジ☆キュン♪~」, we may yet get our damned SHORT CIRCUIT III sometime in late 2009. Think about it for a moment: GWAVE are just exploding onto the scene with U and 井上みゆ, ave;new have a brand new 「A LA MODE」 volume just around the corner and MOSAIC.WAV are strengthening their hold on the genre with the release of their 4th album. This leaves I've Sound out in the cold with the odd eroge OP; they just HAVE to do something major soon if they wish to stay in the race, out of respect for their fans and to honor their "Pioneers of Denpa" title that was rightfully earned when they released 「恋愛Chu!」 back in early 2001.

Coincidentally, game studio SELEN also lists I've Sound as BGM composer for the game 「はらみこ」. This is interesting because they have not traditionally dabbled in game music, strictly their opening/ending themes, but correct me if I'm wrong. Also can someone help me translate the game's title? It either means "Skirt Steak Girls" or "Pregnant Virgin Maidens". On second thought, don't help... this is as good as it gets!

Monday, 5 May 2008

CD検討: Super happy KOTOKO catch-up fun time

I have been neglecting my favorite Japanese singer for some time, sadly. Part of the reason is that the I've Sound blog guys are doing such a commendable job, but I also have been spending a lot of time updating you folks on the latest MOSAIC.WAV happenings. However since two of her eroge singles came out on April 25 2008, we all know what that means: more denpa!!! よし、いくぞー!


Song: I need magic ~解けないマジ☆キュン♪~
Game: カラフルウィッシュ ~12コのマジ☆キュン!~
(aka Colorful Wish)

Release Date: 2008年04月25日
Vocals & Lyrics: KOTOKO
Composer: C.G mix
Get short version and lyrics
Watch OP video on Youtube




As the title of the song clearly indicates, KOTOKO hereby declares her magical requirements. Unlike the sweet 詩月カオリ who politely asked her listeners if they possessed strong knowledge of paranormal phenomena, KOTOKO is unabashed in her proclamation. This girl not only necessitates the stuff, she demands that magic be available to her, at all time. I swear there must be something in the Japanese water that turns denpa singers into mahou-depraved nutbags. Dry humor on recurring lyrical topics aside, this is a wacky tune that raises the SHORT CIRCUIT bar even higher. The song's main attraction is the swift line delivery that never relents, but the arrangement also scores big time with its apace rhythm and witty disposition.


Song: Swift Love ~健全男子にモノ申す~
Game: つよきす 2学期
(aka Tsuyokiss 2)

Release Date: 2008年04月25日
Vocals & Lyrics: KOTOKO
Composer: 井内舞子
Get short version and lyrics
Watch OP video on Youtube




Denpa doesn't have to be all electronics all the time, the good old electric guitar is still getting a lot of love in Japan. As far as I'm concer
ned, "↑青春ロケット↑" and "Double HarmoniZe Shock!!" were some of the best songs from the SHORT CIRCUIT II compilation, yet they were heavily guitar-driven. The good news is that "Swift Love" tries very hard to be a spiritual sequel to these songs and it succeeds in a number of ways! But in doing so, it also sounds like a bit of a copycat, particularly in the chorus. That won't stop me from loving the heck out of this tune, since it very clearly rocks. I appreciate the last bridge which has KOTOKO singing on top of a heavy distortion feedback, this adds a lot of depth as the eroge theme climaxes into its final moments. Climax, eroge... get it? fufufufu.


Song: 決断のentrance
Game: PRISM ARK らぶ2マキシマム
(aka Prism Ark Love^2 Maximum)
Release Date: 2007年12月29日
Vocals & Lyrics: KOTOKO
Composer: C.G mix
Get short version and lyrics
Watch video on Youtube




Teh denpa, where is it? Not here, as you can tell just from listening to the first 10 seconds of the track. Indeed, "Ketsudan no Entrance" is a great representation of the aggressively smooth JTrance that I've Sound have been tweaking to perfection for nearly 10 years. However, I am outraged and I need to vent. In my very humble opinion, "Ketsudan no Entrance" has no business being associated to eroge. This is an epic, fully-featured song that belongs on national Japanese television, opening or ending a big-budget anime series. It deserves a lot more than being shoveled on a limited edition Comiket single for a game that, while notorious in some circles, won't reach a larger share of the population that NEEDS to hear this song. Some will argue however that the true version of this song was renamed "Sociometry" and used as the ending theme for Shakugan no Shana II. I can hear the similarities, but overall I'm seeing a musical case of the classic "neglected twin" dilemma. If you don't already have this song, hunt it down by whatever means.


Song: Ha!!!ppiness
Game: 新妻は魔法少女
(aka My new wife is a Magical Girl)
Release Date: Spring 2008
Vocals & Lyrics: Outer/KOTOKO
Composer: 中沢伴行・尾崎武士
Get short version




This last game isn't actually coming out for some time but the short version was made available earlier this year. "Outer" is one of the many I've Special Units and this particular one hasn't been heard of for some time. Basically, they are going for a punk-ish sound and attitude, but kind of fail at it IMHO. One of their songs is called "Leave me hell alone" [sic] so yeah, real pissed off material. Let's not forget the particularly Rammstein/German-like "Laze & Meditation", which was my (unfortunate) introduction to Outer. But actually, my main problem with this here song isn't the music, far from it. Sure, there are some questionable melodies and the drums sound far too triggered/unnatural but overall we're talking about a solid blueprint. Nope, what my head can't wrap itself around is the murky, barked vocals that ta
rnish the first 45 seconds and come back at 1:15, ordering me to "just do it" (sponsored by Nike?) among other things. Otherwise the short 30 seconds sandwiched in between are actually decent, if not forgettable. A great example of punk-done-right from I've Sound would be "Get My Way!" from 川田まみ; will "Ha!!!ppiness" become the reference for what not to do? I'll leave it at that for now and give the full version a spin when it finally comes out. Oh, and I could have dealt with an single exclamation mark replacing the "i" in "Happiness", but three of them in the middle of nowhere? What the hell, dude.

I am aware of her upcoming single "Special Life!" which will contain a denpa-infused track (but not to the level of the mind-blowing 七転八起☆至上主義) so I'll report on that when it comes out. But in the meantime, there are plenty more eroge singles for you to check out, as I've only listed the most recent ones. A good starting point would be KOTOKO's entry at lyricswiki.org and then you can google for youtube/nicovideo/nicosound feeds. Finally, remember that game makers almost always make their OP available for download so this is also an option if navigating Kanji doesn't scare you too much.

Friday, 11 January 2008

DVD検討: SHORT CIRCUIT II Premium Show

Turns out Comiket 73 wasn't a total bust from I've Sound after all. They did end up releasing "I've MANIA Tracks Vol. 1" a weak and unimpressive compilation of obscure, "hard-to-find" and mostly remixed songs that no one asked for. Well, I never heard KOTOKO's "Crossed Destiny" before, but it certainly isn't one of her best songs, since, you know, I would have heard it otherwise. On the other hand, they also released a very solid DVD featuring the first and only SHORT CIRCUIT live show that took place on July 21 2007 in Tokyo.

I realize that for my readers' sake (millions of them) I should be writing a SHORT CIRCUIT article before reviewing the DVD, but that's just how unorganized I am. Let's just say that SHORT CIRCUIT a) has nothing to do with the radical '80s movies and b) is I've's collection series of mostly-denpa songs. Most will argue that KOTOKO and I've (possibly) came up with the first denpa song with 恋愛CHU! Eventually I will cover the series, but for now let's just take a closer look at the first show...

First things first, you will notice that the video and sound quality are as good as they can get! You'll get a thrill from hearing the crowd shouting at the top of their lungs and watching them shake their light sticks in unison. My major complaint about the camera work is that, while the number of angles provided is more than sufficient, I would have appreciated more closeups of the musicians and on-stage performers. I find it amazing that they managed to capture what are essentially electronically-created songs and transform them into a much more natural and musical format. We barely ever see the drummer, the performer which I find myself staring at more than the singer when attending concerts. However, I don't think he's the same one that accompanied KOTOKO when she played Toronto and Dallas in 2006. Either way, talented folks, the lot of them. Let's rip into the songs.

めぃぷるシロップ: Great choice for a first track, as it sets the pace for the 2 hours to follow! KOTOKO is surrounded by 10 energetic cheerleaders while she dons a purple dress and puffy skirt. Unfortunately, she is slightly out of tune, as if she hadn't practiced prior to the concert or is simply nervous in front of the capacity crowd. The latter of which obviously doesn't mind as everyone is ecstatic and responds to the song with great synchronization.

はじめまして、恋。: NOW WE'RE TALKING! This is easily my favorite song from Short Circuit II, and having shook off what little nervousness she previously possessed, KOTOKO marvelously performs this one. The cheerleaders get the boot as they are replaced with KOTOKO's "sexy dancers" (as she described them on YTV Canada). It's almost a good thing I wasn't there or I would have been kicked out from stage dive attempts! Notice how no security guards or bouncers are to be found even though we're talking about a major event. She briefly pauses to welcome everyone to the premium event and to introduce the lovely Utatsuki Kaori who joins her on stage to perform...

恋愛CHU!: As previously noted, this is probably one of the "first" denpa songs made famous. Kaori wears the same sort of frilly dress, but a pink one. For whatever reason, she doesn't look very comfortable on stage as she is constantly arching forward, possibly from the embarrassing platform shoes that she had to wear. The two girls make very little movement and KOTOKO gradually leaves the stage.

消えない想い: I don't remember this song being a part of the Short Circuit series, and I don't remember hearing it before. It sounds like it features backing vocals by KOTOKO but she is nowhere to be seen. This one is mellow, but in an annoying way. I actually can't stand it, so allow me to move to the next one.

I'm home : Wow, 2 smooth ones in a row? What is Kaori trying to do and who is she kidding with that out-of-tune singing? I'm sure that song has its hardcore fans but they'd be hypocrites if they weren't cringing like I was.

レモネード: Strike three, you're OUT! By now I've had my fill of Kaori's boring songs, let's just hope the next one isn't as sleep-inducing.

Pure Heart ~世界で一番アナタが好き~: Not bad, not bad. 4 dancers get on stage and try their best to light up the crowd after three downers.

アナタだけのAngel☆: Much better, I love the fast palm muting on this one, but of course, they won't show the guitar player. This isn't bad, but I want KOTOKO back. Kaori still can't her tone down perfectly and it just ruins an otherwise fine song.

Do you know the magic?: I remember the first time I heard this on Collective (aka I've Collection 6), I instantly fell in love with the guitar licks and I really wish I was there on stage performing it. Being surrounded with so many cheerleaders would only sweeten the deal, of course. The crowd really lights up for this one and provides the backing vocals for what would normally be echoes of Kaori-chan's voice.

Cream + Mint: KOTOKO is FINALLY back but, sadly, is performing one of her least memorable songs. At least she changed into a nice black robe which, dare I say, gives her a bit of a gothic lolita look, Yousei Teikoku-style. She chats up the crowd just a bit then goes into...



さくらんぼキッス ~爆発だも~ん~: This powerful denpa number really, really brings me back into a happy mood. KOTOKO is alone on stage for this one, but moves along admirably considering she never goes out of tune and doesn't gasp for air.

きゅるるんKissでジャンボ♪♪: They really kept the best for the end, didn't they? Two great denpa songs in a row is just what the doctor prescribed for that genki feeling. Two sexy maid dancers really help pushing the moé factor as far as possible...



Princess Bride!: This song was previously played live at the 2005 Mutant Dwarf fan event in 2005, and while this new version isn't bad at all, the previous one is much more energetic in comparison. Not to mention the camera angles extensively feature the musicians, which greatly pleases me. But KOTOKO is giving it her all, as usual. She eventually starts to run out of dance moves and goes into an embarrassing little jig, which would even make my moves look good.

ねぇ、…しようよっ!: Here's a great song that usually perks me right up when I'm feeling blue. The odd thing about the performance is that the dancers are brought out wearing the same uniforms they were wearing during the aforementioned 2005 event. For consistency's sake, shouldn't they have come out during Princess Bride? Maybe they weren't ready... you never know what goes on backstage!

Change my Style ~あなた好みの私に~: This is one of my favorites and it was also played at Mutant Dwarf 2005. Again, I'm a little disappointed with the new performance, as the older one featured tons of improvised guitar work that gave it a unique feeling. While still enjoyable, it remains a bit dry. Here's another, older version, that's just as insane. Check out that huge crowd!

夏草の線路: One of my favorite Kaori X KOTOKO songs ever written, it always gives me good vibrations when I hear that intro. The transition from electronic to real instruments is, once again, incredible! Which begs the question, why didn't they just do it that way in the first place? At least Kaori doesn't mess this one up too bad...

ジェットスマッシュ!: Never heard this one before. I don't see the need for bringing out so many cheerleaders on stage for such a bland and average song. Kaori still looks like she's suffering from back pain and KOTOKO is having major problems with her bra strap... those are by far the highlights. Next!

Short Circuit: Some real action on this one, from all fronts! Both girls are loosening up and moving around a lot more naturally. Camera angles cycle between each other at a rapid pace, lots of zoom in/out and of course, the cheerleaders are going nuts! How the hell did they muster so much energy for the whole night? At the end of the song, KOTOKO, Kaori and everyone else get off the stage, leaving the fans screaming for an encore. They quickly show up on mini sportsbikes, much to everyone's enjoyment. Each member of the band, dancers included, gets introduced to the audience. It's pretty obvious what's coming next!

↑青春ロケット↑ : We all knew the show wouldn't end so soon, and it's a nice touch they got them to change outfits so quickly, to really emphasize what a great song this is. Nice show of respect to their fans! You can feel the energy in the club, everyone is just jumping and singing along and it makes for an electric performance.

Double HarmoniZe Shock!!: All good things must come to an end, and what better way to end the night than with arguably one the most powerful Short Circuit II song? I'm running out of compliments here, all I can say is that the performance is stellar and highlights I've as a serious musical force to contend with.

Whew, there you are. When it's all said and done, this DVD comes highly recommended (if you can find it!) despite a number of passable songs and some sub-par performances from Kaori. NOW, how about a MOSAIC.WAV ~first live~ DVD? We all know it's coming, let's just hope it comes sooner than later.

Thursday, 20 December 2007

CD検討: KOTOKO - 「リアル鬼ごっこ」


The latest KOTOKO single, 『リアル鬼ごっこ』 (Real Onigokko) came out yesterday, and while it isn't denpa by any stretch of the mind, I think it's only fair to cover it here since she is, after all, my favorite JPop singer. As with most singles, it features an A-track (リアル鬼ごっこ) and a B-track (Siren), as well as the instrumental versions of said tracks (karaoke anyone?). Surprisingly, the two of them add up to over 12 minutes, which is extremely long considering it's a single. But seeing as how the first song is actually the title track to an upcoming horror movie, it's kinda normal for it to be so long so they can use parts of it as they please. I'm not gonna touch on the flick itself too much, word around the net is that it's shaping up to be a uneventful B-movie, which sadly works against KOTOKO and I've Sound. Here we have two superb tracks that should please every fan of the genre, but they are likely to fall into obscurity as the movie which they are used to promote is not going to make any splash.

A PV has been released along with the single, watch as it shows KOTOKO in all of her ultra-moulant latex glory. Sexy! It should also give you a feel of the movie, which is to say, a very cheap one.



For an in-depth analysis of both songs, go to 愛撫-I’ve Sound Blog-